"Joy, he [Bill Reid] liked to say, is a well-made object. And
objects (as he also liked to say) have a way of becoming more than
objects, through the skill, intensity and love that render them well
made."
Robert Bringhurst in the introduction to Bill Reid, Solitary Raven.
Tuesday 28 February 2017
UCLA にて
2年ぶりにカリフォルニア大学ロスアンジェルス校に滞在中です。今回はアーバン・ヒューマニティーズ(都市人文学)を推進しているグループからのお招き。
http://www.urbanhumanities.ucla.edu/
建築・都市学と、人文地理、社会学を初めとする人文社会系の複合領域から、ロスアンジェルス、メキシコシティ、上海、東京などの研究を進めている人たちです。われわれの大学院プログラム PAC(場所、芸術、意識)とは完全にシンクロ。
到着し、早速日曜日にダウンタウンの「小東京」でワークショップを行いました。ワークショップではぼくがPort Bのプロジェクト「東京ヘテロトピア」を解説し、ついで日系コミュニティ文化センターのビル・ワタナベさんによるリトル・トーキョーの歴史をめぐるお話。
それから小グループに分かれて、このエリアに埋め混まれたさまざまな歴史のかけらを訪ねることにしました。これから今週一杯で、各チームが自分たちの作品を制作します。文章、ヴィジュアル作品、パフォーマンスなど。金曜日の最終発表会には、今学期、日本文学科で教えている古川日出男さんも加わります。題して「リトル・トーキョー・ゴースト・ストーリーズ(百物語)」。
どんな作品ができてくるのか、楽しみです。
http://www.urbanhumanities.ucla.edu/
建築・都市学と、人文地理、社会学を初めとする人文社会系の複合領域から、ロスアンジェルス、メキシコシティ、上海、東京などの研究を進めている人たちです。われわれの大学院プログラム PAC(場所、芸術、意識)とは完全にシンクロ。
到着し、早速日曜日にダウンタウンの「小東京」でワークショップを行いました。ワークショップではぼくがPort Bのプロジェクト「東京ヘテロトピア」を解説し、ついで日系コミュニティ文化センターのビル・ワタナベさんによるリトル・トーキョーの歴史をめぐるお話。
それから小グループに分かれて、このエリアに埋め混まれたさまざまな歴史のかけらを訪ねることにしました。これから今週一杯で、各チームが自分たちの作品を制作します。文章、ヴィジュアル作品、パフォーマンスなど。金曜日の最終発表会には、今学期、日本文学科で教えている古川日出男さんも加わります。題して「リトル・トーキョー・ゴースト・ストーリーズ(百物語)」。
どんな作品ができてくるのか、楽しみです。
Quotes 2017 #59
"Otherwise, this humble narrative genre [the FAIT DIVERS] obeys the
same laws that make literature evolve with our vision of the world. It
used to be that insignificant FAITS DIVERS were referred to as 'dogs hit
by cars.' Television journalists now call them 'trash cans on fire.' I
sense in this transition from the dog to the trash can, from the living
to the inanimate, a depersonalization typical of our times."
Roger Grenier, Palace of Books (Alice Kaplan trans.)
Roger Grenier, Palace of Books (Alice Kaplan trans.)
Monday 27 February 2017
Quotes 2017 #58
"Far from engaging in a philosophy of a subject, Michelet and
Quinet think of the people in light of their problematic---for always
deferred---identity. Rather than embodying a self-presence, the people
either are ABOVE themselves---the people in the heroic state that
establish themselves in the very invention of liberty---or they are
BELOW themselves, when the experience of liberty threatens to revert
into its opposite, namely servitude. In short, never coinciding
with themselves, never equal to themselves, the people are
simultaneously where they are manifest, and where they come to
existence, confronted with the ordeal of an insurmountable
self-discrepancy. A discrepancy that would wrongly be considered a
shortcoming, for it is quite certainly by this deficiency, and by
maintaining it, that the opportunities for an anti-authoritarian city
are encountered."
Miguel Abensour, Democracy Against the State.
Sunday 26 February 2017
Quotes 2017 #57-b
"I inverted the image of the map from his letter in my mind and
began driving south to the highway. After a few moments I turned off the
headlights and rolled down the window. I listened to the tires crushing
gravel in the roadbed. The sound of it helped me hold the road,
together with instinct and the memory of earlier having driven it. I
felt the volume of space beneath the clear, star-ridden sky, and moved
over the dark prairie like a barn-bound horse."
Barry Lopez, "The Mappist."
Barry Lopez, "The Mappist."
Quotes 2017 #57
"The world is a miracle, unfolding in the pitch dark. We're lighting candles. Those maps---they are my candles."
Barry Lopez, "The Mappist."
Barry Lopez, "The Mappist."
Saturday 25 February 2017
Quotes 2017 #56
"And there's a becoming black, which is extremely important and has
been asserting itself in recent years. And also a becoming that I don't
know how to describe because the words are so stupid, a
becoming-environment, a becoming-raised-consciousness about the faces of
Brazil, its landscapes, its plant and animal realities. I have an
impression that this could transform modes of subjectivation
profoundly."
Félix Guattari, Molecular Revolution in Brazil.
Félix Guattari, Molecular Revolution in Brazil.
まさに山川草木鳥獣虫魚党の主張です。
Friday 24 February 2017
Quotes 2017 #55
"I am a native of nowhere. I do not know where I come from because I
have come from just about everywhere. Until the eighth grade I had
never gone to less than three schools a year. In the fifth grade I won
the spelling bee in Jacksonville, lost it in Winnipeg, and won it again
in Springfield, Missouri."
Clark Blaise, I had a Father.
Clark Blaise, I had a Father.
Thursday 23 February 2017
Quotes 2017 #54
"The desire to read returned as abruptly as it had left. One day I
picked up a copy of John McPhee's BASIN AND RANGE. I read it in the
evenings, gaining his sense of deep time to understand the dynamism of a
landscape that seems the quintessence of stillness."
Barry Lopez, "The Construction of the RACHEL".
Barry Lopez, "The Construction of the RACHEL".
Wednesday 22 February 2017
Quotes 2017 #53
"Superman is qualitatively, not quantitatively, different from
existing man. The thing that the superman discards is precisely our
boundless, purely quantitative nonstop progress. The superman is poorer,
simpler, tenderer and tougher, quieter and more self-sacrificing and
slower of decision, and more economical of speech."
Martin Heidegger, What is Called Thinking? (trans. by J. Glenn Gray)
Martin Heidegger, What is Called Thinking? (trans. by J. Glenn Gray)
Tuesday 21 February 2017
宮津へ
丹後の宮津に初めて行ってきました。2月19日(日)に開催された京都府立大学の松田法子先生がコーディネートしたシンポジウム、「宮津新浜の芸能文化と社会・人・まち」のため。松田さん、学生の井津元さん、そしてドイツ文学/演劇の林立騎さんとぼくが発表。締めくくりは、町の人たちもたくさん出演し、歴史資料としても貴重な、古木洋平監督による30分の映像作品。天橋立を擁し、この地方の主要な港として栄えた宮津の往時のゆたかさを偲ぶひとときでした。お世話になったみなさま、ありがとうございました!
初めての天橋立は雪の残る景色の中で、山から見ても、その場を歩いても、心にしみわたる美しさ。さすがは日本三景の一。いずれここに外国の詩人たちを招待して小さな国際詩祭をやってみたらどうか、とふと考えました。
初めての天橋立は雪の残る景色の中で、山から見ても、その場を歩いても、心にしみわたる美しさ。さすがは日本三景の一。いずれここに外国の詩人たちを招待して小さな国際詩祭をやってみたらどうか、とふと考えました。
Quotes 2017 #52
"For Depestre, a zombie has never been as simple a creation as the
bleary-eyed villains of 1930s Hollywood B movies. Instead zombification
is a state of deterioration based on the loss of one's ti bonanj, one's
good angel, which turns one into a vacuous shell of one's former self. A
case can be made that the Jacmel I am visiting now cannot help but be a
slightly zombified version of its former self, having lost many of its
own angels, among them one of its most adept literary chroniclers, to
other shores."
Edwidge Danticat, After the Dance.
Edwidge Danticat, After the Dance.
Monday 20 February 2017
Quotes 2017 #51
"There is a strange energy in me, an urge to learn life from the
roots, and an irrepressible desire to provoke people and things into
revealing themselves to me. This makes me think of Herr Benjamenta. But I
want to think of something else, that's to say, I don't want to think
of anything."
Robert Walser, Jakob von Gunten.
Robert Walser, Jakob von Gunten.
Sunday 19 February 2017
Quotes 2017 #50
"Susan, who is four years younger than me, thinks we live in a
selfish age. She talks of a Thatcherism of the soul that imagines that
people are not dependent on one another. In love, these days, it is a
free market; browse and buy, pick and choose, rent and reject, as you
like. There's no sexual and social security; everyone has to take care
of themselves, or not. Fulfillment, self-expression and 'creativity' are
the only values."
Hanif Kureishi, Intimacy.
Hanif Kureishi, Intimacy.
Saturday 18 February 2017
Quotes 2017 #49
"HORSE RADISH SAUCE
To a spoonful of mustard add three tablespoonfuls of vinegar and a little salt; if you have it, put in two spoonfuls of cream. Grate into this as much horse radish as will thicken it; then mash a clove of garlic, and your sauce is ready."
To a spoonful of mustard add three tablespoonfuls of vinegar and a little salt; if you have it, put in two spoonfuls of cream. Grate into this as much horse radish as will thicken it; then mash a clove of garlic, and your sauce is ready."
Lafcadio Hearn's Creole Cookbook.
Friday 17 February 2017
Quotes 2017 (extra)
"We are all the eyes and ears of the earth; and we think the world's thought."
Lyall Watson, Gifts of Unknown Things.
Lyall Watson, Gifts of Unknown Things.
Quotes 2017 #48
"He had studied English literature--books like GREAT EXPECTATIONS.
When I too came to do the same thing, I saw how so many things had ended
up getting intertwined here: my father's performance of the book; how
the scenes became part of our daily lives and language; how all this
spoke to me about the kind of family my father had come from and the
changes he had been through before I was in this world."
Michael Rosen, "Memories and Expectations".
Michael Rosen, "Memories and Expectations".
修論審査を終えて
2008年に開設した新領域創造専攻ディジタルコンテンツ系。本日、第8回目の修士論文口頭試問を行いました。今年の修了生は8名。ちょっと少ない。でもうち4名がぼくの研究室で、これについてはそれなりに感慨深し。
4名が修論で扱ったのは、シェアハウスに見る現代日本のシェアリングエコノミーとその背後にあるもの、ボニン・アイランダーズ(小笠原諸島民)のエスニッ ク・アイデンティティ生成史、宮澤賢治作品に見る青の意味+詩の創作、阪神淡路大震災と東日本大震災後のミュージアムの取り組みと記憶の継承。
分野でいえば、社会学、歴史人類学、文学、美術館・博物館学となりますが、これだけの多様性をもった研究室は、あまりないと思います。もっとも、ぼくは別 に大した指導をしているわけではなくて、主な仕事はかれらが何かを出してくるのをじっと待つこと。そして今年も、待った甲斐がありました。
4名が修論で扱ったのは、シェアハウスに見る現代日本のシェアリングエコノミーとその背後にあるもの、ボニン・アイランダーズ(小笠原諸島民)のエスニッ ク・アイデンティティ生成史、宮澤賢治作品に見る青の意味+詩の創作、阪神淡路大震災と東日本大震災後のミュージアムの取り組みと記憶の継承。
分野でいえば、社会学、歴史人類学、文学、美術館・博物館学となりますが、これだけの多様性をもった研究室は、あまりないと思います。もっとも、ぼくは別 に大した指導をしているわけではなくて、主な仕事はかれらが何かを出してくるのをじっと待つこと。そして今年も、待った甲斐がありました。
われわれの専攻は「論文+作品制作」という形式で修士号を取得できます。今年は、上記の宮澤賢治論+賢治の心象スケッチを追うかたちでの作品制作により、
ついに文芸創作の修士号を、それも理想的なかたちで出すことができて、感無量でした。この創作は、いずれ詩集として出版されることでしょう。それを心から
よろこびたい、新鮮な風が吹き抜ける作品です。
4月からは研究室の所属学生もぐっと少なくなり、予定では修士2年、1年ともに1名ずつ。しかしその分、徹底的にラディカルな探求にとりくめることと思います。
この専攻の直接の同僚たち、倉石信乃さん、宮下芳明さん、波戸岡景太さんを明治にお迎えしたのが2007年で、ちょうど10年前でした。かれらのおかげで確実に、明治はおもしろくなりました。
4月からは建築・都市学専攻総合芸術系、別名「場所、芸術、意識」系として再出発します。アートと呼ばれる営みが私たちの社会をいかに直接に変えるか、その最前線を見極め、そこに身を投じる場にしたいと思っています。
4月からは研究室の所属学生もぐっと少なくなり、予定では修士2年、1年ともに1名ずつ。しかしその分、徹底的にラディカルな探求にとりくめることと思います。
この専攻の直接の同僚たち、倉石信乃さん、宮下芳明さん、波戸岡景太さんを明治にお迎えしたのが2007年で、ちょうど10年前でした。かれらのおかげで確実に、明治はおもしろくなりました。
4月からは建築・都市学専攻総合芸術系、別名「場所、芸術、意識」系として再出発します。アートと呼ばれる営みが私たちの社会をいかに直接に変えるか、その最前線を見極め、そこに身を投じる場にしたいと思っています。
Thursday 16 February 2017
Quotes 2017 #47
"Do you know the mountain halls on Unter den Linden? You ought to
pay them a visit some day. The entrance fee is just thirty cents. Even
if you should happen to see the cashier eating bread or sausage, there's
no need to turn back in disgust, just consider that it's her supper
she's eating. Nature demands its rights everywhere. Anywhere there's
nature, there's meaning. And now you'll step inside, into the
mountains."
Robert Walser, "Mountain Halls".
Robert Walser, "Mountain Halls".
Wednesday 15 February 2017
Quotes 2017 (extra)
I just came across this great sentence. Rather difficult to explain, though.
"Lyrics about love becomes, in other words, like another musical instrument, and love songs become, somehow, pure song."
Nick Hornby, 31 Songs.
"Lyrics about love becomes, in other words, like another musical instrument, and love songs become, somehow, pure song."
Nick Hornby, 31 Songs.
Quotes 2017 #46
"Baudelaire had the true intuition of number as a tactile hand or
nervous system for interrelating separate units, when he said that
'number is within the individual. Intoxication is a number.' That
explains why 'the pleasure of being in a crowd is a mysterious
expression of delight in the multiplication of number.' Number, that is
to say, is not only auditory and resonant, like the spoken word, but
originates in the sense of touch, of which it is an extension."
Marshall McLuhan, Understanding Media.
Marshall McLuhan, Understanding Media.
Tuesday 14 February 2017
Quotes 2017 #45
"It can be a shock to find out capitalism has not always existed.
Economists present 'the market' as the natural state of humanity... When
you realize that capitalism, once did not exist---either as an economy
or a value system---a more shocking thought arises: it might not last
for ever. If so, we have to get our heads around the concept of
transitions, asking: what constitutes an economic system and how does
one give way to another?"
Paul Mason, Postcapitalism: A Guide to Our Future.
Paul Mason, Postcapitalism: A Guide to Our Future.
Monday 13 February 2017
優河さんと葉山で
11日(土)、葉山でシンガーソングライターの優河さんとのイベント「山のうた、光の葉」を行いました。Bookshop Kasper 主催。近くの山にのぼり、海を眺めながら、ぼくの朗読、彼女のアカペラ、ついでふたりでピエール・バルー追悼の意味を込めてのÇa va, ça vient。それから本屋さんに戻り、優河さんの歌とぼくの詩を交互に。最後はぼくの詩に彼女が即興の音楽をつけてくれて。青空から雪、みぞれ、霰とお天気がめまぐるしく変わり、地形と気象のおもしろみをたっぷり味わえる午後になりました。
優河さんは、とにかくすごい歌手。声を聞くだけで震えます。屋外のアカペラによるアイルランド民謡で、そのすごさを再認識。お店では愛用のマーティンの弾き語りでしたが、かろやかなスリーフィンガー・ピッキングとソウルフルな声がひとつになって、その場にいたみんなを包みこみました。ご一緒できてほんとうに幸運でした。
お世話になったKasper の青木さん、企画を立ててくれた熊谷さん、ありがとうございました!
優河さんは、とにかくすごい歌手。声を聞くだけで震えます。屋外のアカペラによるアイルランド民謡で、そのすごさを再認識。お店では愛用のマーティンの弾き語りでしたが、かろやかなスリーフィンガー・ピッキングとソウルフルな声がひとつになって、その場にいたみんなを包みこみました。ご一緒できてほんとうに幸運でした。
お世話になったKasper の青木さん、企画を立ててくれた熊谷さん、ありがとうございました!
Quotes 2017 #44
"During my twenties a succession of thin volumes of verse--Frost's A
WITNESS TREE, Philip Larkin's WHITSUN WEDDINGS, Seamus Heaney's
NORTH--were the wedges I used to prise open new ways of seeing and
feeling."
Nicholas Carr, "The Dreams of Readers"
Nicholas Carr, "The Dreams of Readers"
Sunday 12 February 2017
Quotes 2017 #43
"The woman watched the sun go down. they watched it bathe and wallow
in the sea and throw a cloth across the sky. They thanked my father for
his help. We give to you the gift of turning life to ice, they said.
And this we give you, too. They tipped a little perfume from a jar into a
scallop shell. He smelled it---but the skin upon his nose touched the
arc of liquid. It froze. Dissolve it in your mouth, they said, and make a
wish. My father sucked. My father wished. He wished he had a healthy
arm, four fingers and a thumb. It will come true, the woman said."
Jim Crace, The Gift of Stones.
Jim Crace, The Gift of Stones.
Saturday 11 February 2017
Quotes 2017 #42
"I have always disliked being photographed, but I intensely disliked
being photographed by Anna. It is a strange thing to say, I know, but
when she was behind a camera she was like a blind person, something in
her eyes went dead, an essential light was extinguished. She seemed not
to be looking through the lens, at her subject, but rather to be peering
inward, into herself, in search of some defining perspective, some
essential point of view."
John Banville, The Sea.
John Banville, The Sea.
Friday 10 February 2017
Quotes 2017 #41
"Music is the sweetest thing in the world. I absolutely adore notes.
I'll run a thousand paces just to hear one. Often when I'm walking
through the hot streets in summer and hear the sound of a piano from an
unknown house, I stop in my tracks, ready to die on the spot. I'd like
to die listening to a piece of music."
Robert Walser, Masquerade & Other Stories.
Robert Walser, Masquerade & Other Stories.
Thursday 9 February 2017
Quotes 2017 #40
"Without going into detail, and merely to give a general idea (even
if we do not feel entirely justified in rounding off figures when it is a
question of human lives), it will be recalled that in 1500 the world
population is approximately 400 million, of whom 80 million inhabit the
Americas. By the middle of the sixteenth century, out of these 80
million, there remain ten. Or limiting ourselves to Mexico: on the eve
of the conquest, its population is about 25 million; in 1600, it is one
million."
Tzvetan Todorov, The Conquest of America (trans. by Richard Howard).
Tzvetan Todorov, The Conquest of America (trans. by Richard Howard).
Wednesday 8 February 2017
Quotes 2017 #39
"A kind of morbid curiosity overcame him. What had become of the
Cold War with Russia? For that matter, what had become of Russia?
Rapidly, he scanned the remaining pages. What he discovered made the
hackles of his neck rise.
Russia, as a category, had been abolished. It was just too painfully unpleasant. Millions of men and women, millions of square miles of land---GONE! What was there, instead? A barren plain? A misty emptiness? A vast pit?"
Russia, as a category, had been abolished. It was just too painfully unpleasant. Millions of men and women, millions of square miles of land---GONE! What was there, instead? A barren plain? A misty emptiness? A vast pit?"
Philip K. Dick, Eye in the Sky.
Tuesday 7 February 2017
「すばる」2017年3月号
昨年12月3日に明治大学リバティーホールで開催した「声の氾濫」。このイベントのために、温又柔、木村友祐、姜信子、中村和恵のみなさんとぼくがそれぞれ書き下ろした短篇が、文芸誌「すばる」の現在発売中の号に掲載されています。
いずれも、舞台ヴァージョンとは少しちがった文字ヴァージョンに。改めて楽しんでいただけることと思います。
この号、他にも文学における声や翻訳の問題に正面から取り組んだ、読み応えのある記事が勢揃いしました。ぜひお買い求めくださいね。
いずれも、舞台ヴァージョンとは少しちがった文字ヴァージョンに。改めて楽しんでいただけることと思います。
この号、他にも文学における声や翻訳の問題に正面から取り組んだ、読み応えのある記事が勢揃いしました。ぜひお買い求めくださいね。
Quotes 2017 #38
"Sometimes people ask me if I am from a bookish family. I find it
difficult to answer. One answer would be no, not in the traditional
sense. My father left school at thirteen and my mother at sixteen. But
another answer is: Christ, yes, they really were. Like a lot of
working-class English people, in the Fifties and Sixties my father found
his cultural life transformed by Allen Lane's Penguin paperback
revolution. Now anyone could read Camus or D.H. Lawrence or Maupassant,
for no more than a price of a pack of fags."
Zady Smith, "Library Life."
Zady Smith, "Library Life."
Monday 6 February 2017
Quotes 2017 #37
"Then, in the last light of day, I was startled by a line of dark
torsos and a strange hand on a wall just above the canyon floor. I
froze, rigid with fear. My usual mental categories of alive and
not-alive became permeable. The painted figures stared at me, transmuted
from mere stone as if by magic, and I stared back in terror.
After a few seconds, my body intervened with my mind, pulling it away from a gaze that engulfed me. The torsos became JUST pictures. My mind discovered a comfortable category for the original perception and the confusion passed. But strangely, seeing them as representations did not reduce the emotion I felt. I was chilled, shivering, though the air was warm. I could not override the feeling that the figures were looking at me, and that I was seeing what I wasn't supposed to see."
After a few seconds, my body intervened with my mind, pulling it away from a gaze that engulfed me. The torsos became JUST pictures. My mind discovered a comfortable category for the original perception and the confusion passed. But strangely, seeing them as representations did not reduce the emotion I felt. I was chilled, shivering, though the air was warm. I could not override the feeling that the figures were looking at me, and that I was seeing what I wasn't supposed to see."
Jack Turner, The Abstract Wild.
Sunday 5 February 2017
Quotes 2017 #36
"Take fifty photos of anyone. There will be some photos where the face
is so different you can hardly recognize the subject. I mean most people
have many faces. Jerry had one. Don Juan says anyone who always looks
like the same person isn't a person. He is a person impersonator. "
William Burroughs, Cities of the Red Night.
William Burroughs, Cities of the Red Night.
Saturday 4 February 2017
Quotes 2017 #35
"To protect yourself from lightning, the Navajo say, wear a bead of
turquoise in your hair. The Navajo divinity Changing Woman, so named
because she is life springing from nothing and a woman who renews her
youth each season, lives in a house with a turquoise door and four
footprints of turquoise leading to a turquoise room. Changing Woman
looks through binoculars of rock crystal, the stone of light beams and
fire and a natural ally of turquoise. Carried on the tongue, rock
crystal is the word in a prayer that means truth."
Ellen Meloy, The Anthropology of Turquoise.
Ellen Meloy, The Anthropology of Turquoise.
Friday 3 February 2017
「水牛のように」2017年2月号
ウェブマガジン「水牛のように」2月号に「狂狗集 2の巻」を発表しました。
http://suigyu.com/2017/02
俳句の5・7・5をクレイジーに壊した、短い1行詩の集積。 まずはごらんください。
http://suigyu.com/2017/02
俳句の5・7・5をクレイジーに壊した、短い1行詩の集積。 まずはごらんください。
Quotes 2017 #34
"The animal scrutinizes him across a narrow abyss of non-comprehension.
This is why the man can surprise the animal. Yet the animal--even if
domesticated--can also surprise the man. The man too is looking across a
similar, but not identical, abyss of non-comprehension. And this is so
wherever he looks. He is always looking across ignorance and fear."
John Berger, "Why Look at Animals?"
John Berger, "Why Look at Animals?"
Thursday 2 February 2017
Quotes 2017 #33
"Mardohai Simhon claimed the silk scarf he wore around his neck was a mirror.
'Look,' he said, 'my head is separated from my body by a scarf. Who dares give me the lie if I say I walk with a knotted mirror under my chin? The scarf reflects a face, and you think it is of flesh. Night is the mirror. Day the scarf. Moon and Sun reflected features. But my true face, brothers, where did I lose it?'
At his death, a large scar was discovered on his neck."
'Look,' he said, 'my head is separated from my body by a scarf. Who dares give me the lie if I say I walk with a knotted mirror under my chin? The scarf reflects a face, and you think it is of flesh. Night is the mirror. Day the scarf. Moon and Sun reflected features. But my true face, brothers, where did I lose it?'
At his death, a large scar was discovered on his neck."
Edmond Jabes, The Book of Yukel.
Wednesday 1 February 2017
Quotes 2017 #32
"Day by day he felt the skin of his face hardening in the weather;
the stubble of hair on the lower part of his face became smooth as his
skin roughened, and the backs of his hands reddened and then browned and
darkened in the sun. He felt a leanness and a hardness creep upon his
body; he thought at times that he was moving into a new body, or into a
real body that had lain hidden beneath layers of unreal softness and
whiteness and smoothness."
John Williams, Butcher's Crossing.
John Williams, Butcher's Crossing.
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